Ibert Piece-Solo Flute-Leduc. Piece for Solo Flute was premiered by Marcel Moyse. Comprised of three movements with two contrasting themes. Ibert Piece for Solo Flute. January 3, | Author: Allison Q. Kessinger | Category: N/A Short Description. Ibert. Sheet Music – £ – Jacques Ibert’s Piece pour Flute Seule (Piece for Solo Flute ). Published by Alphonse Leduc.

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After brushing off the years of dust from this piece and woodshedding some of the technical passages, I began to hear a clear influence of other works written around this time period. The monotone rhythm of the line could represent a monotone voice speaking musical knowledge without the use of words. What is clear, however, is that there are striking similarities between both of these pieces, structurally as well as and harmonically.

There are several works throughout the history of Western Music that could be considered imitations of one another. In the Ibert, we see grouping of sextuplets followed by septuplets followed by eight 32 nd notes and a grouping of nine 32 nd notes. Is there a joke buried in these lines that only Moyse would understand?

Piece pour Flute Seule

Is this intended to be the voice of Moyse? Each section is linked together with virtuosic cadenzas exploring the range of the instrument and flyte extended techniques ibett as flutter tonging. This pattern replays throughout the B section namely in and around the impending Animanto: Or maybe a commentary on the nature of a brooding performer iber perhaps lets his thoughts bubble not once, not twice, but three times before he takes action sounds like a Taurus….

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This site uses Akismet to reduce spam. In the Ibert, such a figure appears at the very beginning of the piece: Was this swirling figure somehow evocative of Moyse?

Perhaps Ibert was trying to set the groundwork for the Image. You are commenting using your Twitter account.

Repetitive Recitative The Introductions of both works are strikingly similar — meandering lines creating fantasy-like imagery using echo effects and rapid lines leading to false climaxes. The similarities between these swirling figures in both pieces are quite eerie. Is there a sentence or a phrase known only to the composer that is created using these rhythmic syllables?

Ibert Piece for Solo Flute – Free Download PDF

What is similar, however, is that each section is connected by rhythmically intricate cadenzas. In both instances, there are 3 repetitions of this swirling figure, all gaining in intensity with each repetition to lead into the most virtuosic moment of each piece. The Introductions of both works are strikingly similar — meandering lines creating fantasy-like imagery using echo effects and rapid lines leading to false climaxes.

This of course is all just speculation. Fill in your details below or click an icon to log in: Perhaps this was an exercise used at the Paris Conservatoire. Bach as does many of the works by Felix Mendelssohn.

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Learn how your comment data is processed. It is difficult to say which piece influenced the other due to discrepancies among scholars regarding publication dates yet both pieces were written for Marcel Moyse. You are commenting using your Facebook account.

Jacques Ibert – Piece pour flute seule sheet music for Voice download free in PDF or MIDI

This is all but a prelude to the most technically demanding element of the piece, a long progression of rapidly moving minor thirds extending chromatically for 2 octaves. Welcome to Flute Friday Monday! The faster, technically demanding A sections are enhanced by a slower, more lyrical B section. This is followed by 1 beat of triples and one beat of 4 sixteenth notes:.

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Octave displacements complete the cadenza and introduce the return of the A section at the Piu lento. Like the Ibert, Bozza uses the cadenza between the B section and the return of the A section in Image to showcase the most technically demanding elements in the work.

Jacques Ibert – Piece pour flute seule

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You are commenting using your WordPress. The last time I played this piece in public was countless years ago at a studio recital as a Freshmen at DePauw University, long before I tackled the Ibert and Nielsen Concerti and other seminal works from the standard contemporary flute canon. Where they somehow commenting on the Moyse style?

The most significant similarity, however, is the repetitive notes that create a sense ;iece recitative without words. Image is written in ternary ABA form with a slower, fantasy-like introduction. Image features a similar cadenza linking the A section to the B section at the top of the 2 nd page, beginning with a fermata placed above a low B sharp.

Both Ibert and Bozza leave the true musical fireworks in the fluute sections connecting the B section to the repetition of the A section.