The pre-eminent classical piano music to have emerged over the last half century , Ligeti’s Etudes have received numerous recordings – both in part and as a. In Ligeti’s own description of the Piano Etudes, he says, they are “Etudes in a compositional and pianistic sense”1 that “behave like growing organisms.”2 Upon. “Désordre” (), the first etude in the first book of piano etudes by György Ligeti . (–). After explaining how Gestalt principles can be applied to the.

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The main feature of this etude is a reoccurring motif, heard all throughout the piece, in one voice or another. The orchestration of the concerto contains an extensive amount and variety of percussion instruments, apart from the regular strings, brass and woodwinds.

Ligeti Piano Etudes, Bks 1 and 2

Phaidon Press Ltd, Above each segment, the different division of twelve eighth notes is shown. Lois Svard, Gyorgy Ligeti Etudes ligehi piano, The eight etudes of the second book are considered to be even more difficult kigeti complex than those found in the first book.


The sixteenth-note motion resembles that of etude No. The main feature of this etude is note repetition. The political situation during the s and s was not in favor of music development. Although their approaches are different, they all shared the same goal: The eighth notes start again, ascending from the lowest register.

International Music Company The piece begins with a descending chromatic scale in the right hand, that is joined by a similar chromatic pinao on the left hand shortly after and there is a continuous ascending and descending chromatic motion throughout the etude ex.

Thanks to our partners and sponsors: The rhythmic groupings are shown in example 18a.

Ligeti wished to go a step further in the composition of pieces that fall into popular categories, such as the etude and the piano concerto. Example 22a shows the beginning measures of the concerto. In the middle of the composition, the familiar chromatic pattern of Etude No.

Études (Ligeti) – Wikipedia

Griffiths, Gyorgy Ligeti, Eighth notes and chords alternate or are combined, chromatically ascending, reaching their peak, in the form of a chord marked ffffffff. Citation Tsong, Mayron Kacy.

Shortly after the beginning of the etude, more voices are added gradually. It seems that a motif is introduced by a group of instruments and then immediately mimicked by another group of instruments or by the piano.


There are very sudden differences in nuances — subito p and f and the etude ends quietly in pppp. Ligeti Etudes pour piano, Svard also notices that there are frequent offbeat accents that amplify the rhythmic perplexity of the etude Chopin, Etude No2 op. Ligeti considered Bartok to be one of the most important composers and followed his lead in many ways. This means that the ligfti hears melodies or rhythms that are not actually there After a while, quarter notes give their place to eighth notes, creating a slightly more flowing pace that leads to the end of the etude.

Explore the Score | György Ligeti: Klavierweke | Inside the score

Interestingly enough, the rhythmic sequences are similar and the rhythmic manipulation is similar — it creates a feeling of circular movement Click here to sign up. II, 58 and Gradually, more chromatic layers are added, making the harmonies even more complex ex. Trois Etudes de Concert Paris: